Tunisian filmmaker Kaouther Ben Hania’s film is a couple of man lending his physique as a canvas to an artist
In a world the place commodities can extra simply cross nationwide boundaries than folks, Sam Ali, fleeing a civil conflict in Syria and persecution by the authorities, turns himself right into a commodity. An artwork commodity to be particular, lending his physique as a canvas to a celeb artist.
Tunisian filmmaker Kaouther Ben Hania borrows the thought for her movie The Man Who Bought His Pores and skin, screened within the World Cinema class on the twenty fifth Worldwide Movie Competition of Kerala (IFFK), from Belgian artist Wim Delvoye, who created an art work on the again of a person named Tim, who was later auctioned to a collector. However, to this fundamental thread, she weaves in a number of others, together with the refugee disaster brought on by the state of affairs in Syria, the commodification within the artwork world and the prejudices that westerners maintain about these from the Center East.
The artist tattoos a big Schengen visa (which permits seamless journey inside Europe) on Sam’s again, making an announcement on how nationwide borders cease solely human beings. However, Sam is in for one more sort of bondage in mega galleries, the place he’s handled as an inanimate artwork object. The artist’s loud statements in regards to the work ring hole when Sam’s individuality is suppressed for the sake of the piece of artwork that he has change into.
Parallel to this goes Sam’s makes an attempt to get in contact together with his girlfriend Abeer, who was compelled to get married to a rich man settled in Europe, after Sam had fled the nation. Sam appears to have an consciousness of his physique canvas not being a coveted job, as he hides the actual fact from Abeer. An organisation for Syrian refugees takes up his trigger, in opposition to him getting used as a residing art work, however Sam just isn’t so eager on being aided by them.
The movie raises some legitimate questions in regards to the ideas of something changing into an art work, and artworks and even sports activities gamers changing into commodities to be auctioned off, to be purchased by the best bidder. The worth of the artwork work then provides to the hype round it, moderately than discussions on its politics or its magnificence. The Man Who Bought His Pores and skin is thus a important dialog between two media of expression — cinema and set up artwork.
The refugees from war-torn international locations — the place continued western interventions are one of many main causes of instability — being unable to enter these similar international locations that perpetrate these acts, is one other uncomfortable query the movie raises.